Excellent advice for fleshing out characters and dialogue.
Writing characters who are vastly different to ourselves is something many of us do, or at least strive to do. It’s not easy to extract one’s personality completely from the page – we can only write what we know, after all. Yes, imagination is a far-reaching avenue, but how do we make it stretch as far as it can possibly go?
I have a theory that is probably not all that unique, but I’d like to share it anyway.
When I was in high school drama class, I learned about something called the Stanislavski Method, or, Method Acting. For a full description of what it is and how it came about click here: http://en.wikipedia.org/wiki/Stanislavski%27s_system In my own words I can tell you it’s a method of acting where the actor studies the motivations of the character and makes use of empathetic observations in order to “become” the character. Its a…
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